Quantcast
Channel: Martha Rea Baker
Viewing all 85 articles
Browse latest View live

Martha Rea Baker featured at Karan Ruhlen Gallery

$
0
0

May 23rd – Martha Rea Baker, Bret Price, Kevin Tolman

In the Abstract

Martha Rea Baker, Kevin Tolman, Bret Price
May 23 through June 7, 2014

Text Box: Who: Martha Rea Baker, Kevin Tolman paintings and Bret Price sculpture What: Exhibition of paintings and sculpture When: May 23 through June 7, 2014 Opening Reception: Friday, May 23   5-7 pm. Where: Karan Ruhlen Gallery, 225 Canyon Road, Santa Fe, NM 87501.  Visuals & Curriculum Vitae online at  karankaranruhlen.com In the Abstract

Karan Ruhlen Gallery features the work of three well-established artists to kick off the 2014 art season. The exhibition features New Mexico abstract painters, Martha Rea Baker and Kevin Tolman and California sculptor Bret Price. The group of artists is diverse in their approach to abstraction.

Baker      Price     Tolman

Baker———-Price———-Tolman

Santa Fean, Martha Rea Baker’s paintings deal with the concept of “time”, the passage of time and its effects on our natural world. Whether depicting chronological time, marking the sequential passage of hours, days, seasons or an ancient age glimpsed through excavation, the painting process of adding, subtracting and thoughtful editing is a metaphor for life’s timeline.

Albuquerque artist Kevin Tolman continues to produce inspiring, epic and intimate works. Some appear to be amplified organic forms, while others are cadenced arrangements of linear and geometric shapes.. He builds rich mixed-media abstractions with gestural layers of vibrant acrylic that he applies scratching, scraping and drawing along the way. Tolman’s abstract imagery creates a tension between the illusion of spatial depth and surface paint that is utterly compelling

California artist Bret Price builds heating chambers around large pieces of steel, applying intense heat to manipulate metal to create a sense of softness in his sculpture. The variables of intense heat, size and shape of the raw material produce a wide range of results with a degree of unpredictability. The show will feature his recent series composed of bands of stainless steel joined together in unexpected ways. The shaped rings and bands are welded together to form elegant abstractions in brilliant colors.

“The gallery will be truly transformed with the energy of these three well established artists,” says Ruhlen.

 



In the Abstract at Karan Ruhlen Gallery

$
0
0

Martha Rea Baker will be one of three artists featured in an abstract show opening May 23rd at Karan Ruhlen Gallery on Canyon Road in Santa Fe. Here is a sneak peek at a few of the new paintings Martha will be showing in this exhibit.

Formation III---48" x 36"---Acrylic

Formation III—48″ x 36″—Acrylic

Marking History I and II--40" x 30" each

Marking History I and II–40″ x 30″ each

Marking History I---40" x 30"---Acrylic

Marking History I—40″ x 30″—Acrylic

Marking History II---40" x 30"---Acrylic

Marking History II—40″ x 30″—Acrylic

Marking History III---448" x 36"

Marking History III—48″ x 36″—Acrylic

Stay tuned for a group of oil/cold wax paintings. They will be photographed and posted soon—-


In the Abstract Invitation

$
0
0
In the Abstract invitation--May 23-June10-Karan Ruhlen Gallery

In the Abstract invitation–May 23–June 5–Karan Ruhlen Gallery

In the Abstract invitation Mailer--Front Side

In the Abstract invitation Mailer–Front Side


New work for Karan Ruhlen Gallery

$
0
0

Martha Rea Baker has recently delivered two new paintings for the upcoming exhibition “In the Abstract” opening at Karan Ruhlen Gallery in Santa Fe, NM on May 23.

Cliffhanger V---70" x 62"---Acrylic on Canvas

Cliffhanger V—70″ x 62″—Acrylic on Canvas

Dordogne---40' x 30"---Oil/Cold Wax on Panel

Dordogne — 40′ x 30″ —  Oil/Cold Wax on Panel


In the Abstract Installation Photos

$
0
0

We have posted a few installation photos of Martha Rea Baker’s paintings at Karan Ruhlen Gallery on Canyon Road in Santa FE, NM. The “In the Abstract” opening last Friday evening was a great success despite the stormy weather.

Marking History III and Dawn to Dusk

Marking History III and Dawn to Dusk

Dawn to Dusk and Formation II

Dawn to Dusk and Formation II

Excavation III and Dordogne

Excavation III and Dordogne

Two of the paintings in the original installation were sold before the photos were taken. We will post them below.

Cliffhanger IV---70" x 62"---Acrylic on Canvas

Cliffhanger IV—70″ x 62″—Acrylic on Canvas

Formation III---48" x 36"---Acrylic

Formation III—48″ x 36″—Acrylic


Gesture Paintings

$
0
0

MARTHA REA BAKER has recently finished three new acrylic paintings which incorporate paper collage and gestural lines. The use of charcoal and oil pastel in spontaneous, free-form gestures allows the artist a freedom which she enjoys.

Gesture 1----48" x 36"-----Acrylic/Collage on Canvas

Gesture 1—-48″ x 36″—-Acrylic/Collage

Gesture 2----48" x 36"----Acrylic/Collage on Canvas

Gesture 2—-48″ x 36″—-Acrylic/Collage

Gesture 3----48" x 36"----Acrylic/Collage on Canvas

Gesture 3—-48″ x 36″—-Acrylic/Collage


Filed under: From the Studio Tagged: Acrylic paintings, acrylic/collage, gesture drawing and painting, spontaneous painting, using collage with acrylic

New work for Karan Ruhlen Gallery

$
0
0

Before heading off to Spain for museum visits and an encaustic experience, Martha Rea Baker delivered new acrylic work to her Santa Fe Gallery, Karan Ruhlen Gallery on Canyon Road.

Tide Pool VI-----48" x 36"-----Acrylic on Canvas

Tide Pool VI—–48″ x 36″—–Acrylic on Canvas

Formation V-----48" x 36"-----Acrylic on Canvas

Formation V—–48″ x 36″—–Acrylic on Canvas

Barranca IV----48" x 48"----Acrylic on Canvas

Barranca IV—-48″ x 48″—-Acrylic on Canvas


Filed under: From the Studio, Gallery News Tagged: acrylic on canvas, Canyon Road gallery, color and light, Karan Ruhlen, landscape based abstract painting, Martha Rea Baker, Santa Fe gallery

The MALAGA Encaustics

$
0
0

Martha Rea Baker has recently returned from two weeks in Spain where she visited Bilbao, Barcelona and Malaga on the Costa del Sol. While in Malaga she created intimate encaustics on paper inspired by the light, colors and landscape of this beautiful Mediterranean coastal town.

A selection of these “poured” wax paintings is posted below.

Costa del Sol 1----8.24 x 12"----Encaustic on Paper

Costa del Sol 1—-8.24 x 12″—-Encaustic on Paper

Costa del Sol 2----8.25" x 12"----Encaustic on Paper

Costa del Sol 2—-8.25″ x 12″—-Encaustic on Paper

Costa del Sol 3----8.25" x 12"----Encaustic on Paper

Costa del Sol 3—-8.25″ x 12″—-Encaustic on Paper

Costa del Sol 4----8.25" x 12"----Encaustic on Paper

Costa del Sol 4—-8.25″ x 12″—-Encaustic on Paper

A second, more abstract, quartet was finished the first week after Martha returned to her studio in Santa Fe, NM.

Colores de Malaga I----16" x 20"----Encaustic on Paper

Colores de Malaga I—-16″ x 20″—-Encaustic on Paper

Colores de Malaga II----16" x 20"----Encaustic on Paper

Colores de Malaga II—-16″ x 20″—-Encaustic on Paper

Colores de Malaga----16" x 20"----Encaustic on Paper

Colores de Malaga—-16″ x 20″—-Encaustic on Paper

Colores de Malaga IV----16" x 20"----Encaustic on Paper

Colores de Malaga IV—-16″ x 20″—-Encaustic on Paper

Eighteen small encaustic works on paper have been shipped to Brown’s Fine Art in Jackson MS to be debuted on November 20th at “Fondren Unwrapped”, the annual Holiday Open House.


Filed under: From the Studio Tagged: Brown's Fine Art- Jackson MS, encaustic, Fondren Unwrapped, landscape based abstract painting, Mississippi gallery, poured encaustic paintings, Poured wax on paper, travel as inspiration

Martha Rea Baker in Encaustic Arts Magazine

“Winter White” shipped to Brown’s Fine Art

California Homes magazine features Martha Rea Baker painting

$
0
0
Marking History III----48" x 36"----Acrylic on Canvas

Marking History III—-48″ x 36″—-Acrylic on Canvas

An article in the November issue of California Homes magazine, “Adding Color to a Black Dress and Pearls” includes one of Martha Rea Baker’s acrylic abstract paintings. Marking History III is installed in the emerald entry of a Nob Hill condo in San Francisco. Located in a mid-century modern high-rise across from Huntington Park, the residence features sweeping bay views bracketed by the Golden Gate and Bay Bridges.


Filed under: From the Studio, Gallery News Tagged: abstract acrylic, California Homes magazine, designer chooses Baker painting for entry, designers choose original art, Karan Ruhlen Gallery, Martha Rea Baker

New Oil/Cold Wax paintings for Karan Ruhlen Gallery

$
0
0

Two new oil/cold wax paintings have been delivered to Karan Ruhlen Gallery on Canyon Road in Santa Fe, NM. 

Revisiting the sought-after “Chronos Series” from 2013, Martha has created a diptych on cradled panels. (Please visit the Oil/Cold Wax Gallery page for more pieces in this series.) An ongoing series, the concept of “time”, explores the sequential passage of time and its effects on our natural environment.

Chronos, Variation 1----36" x 36"----Oil/Cold Wax on Panel

Chronos, Variation 1—-36″ x 36″—-Oil/Cold Wax on Panel

The artist has also finished a major oil/cold wax piece on canvas, measuring 74″ x 66″. White Village, Costa del Sol, was inspired by Martha’s recent travels to Malaga, Spain where she visited several of the famous white villages along the Mediterranean coast. In this large-scale painting, Martha has captured the colors, the unique light quality, the shapes and essence of the hillside coastal town.

White Village, Costa del Sol----76" x 66"----Oil/Cold Wax on Canvas

White Village, Costa del Sol—-74″ x 66″—-Oil/Cold Wax on Canvas


Filed under: From the Studio, Gallery News Tagged: abstract painting inspired by landscape, Canyon Road gallery, Chronos, Costa del Sol, diptych, Karan Ruhlen, Karan Ruhlen Gallery, Malaga, memories of Costa del Sol, NM, oil/cold wax paintings, passage of time as theme, Santa Fe, Spain, White Villages

Annual Hill Country Arts Foundation Painting Retreat

$
0
0

Once again, the first post of the new year is a report on Martha Rea Baker’s annual painting retreat in the beautiful Texas Hill Country. The Hill Country Arts Foundation in the small town of Ingram, TX is host to a group of 17 artists who each January travel from Texas, New Mexico and Tennessee to begin the new year creatively with talented artists who also happen to be dear friends. This is Martha’s tenth year of attending and next year will mark the twenty-fifth year of group which began as a wintermester art course at Collin County Community College in Plano, TX. The current group has adopted the name AWOL—-Artist Without Limits—- which describes the philosophy of these artists.

Martha with the 2015 Kerrville paintings in Studio 2

This year Martha spent the first three days of the retreat completing two 24″ x 24″ acrylic paintings on canvas to be included in the 2015 exhibition in the Duncan-McAshan Art Gallery at the Foundation.

Fire and Ice I----24" x 24"----Acrylic on Canvas

Fire and Ice I–24″ x 24″–Acrylic

Fire and Ice II---Acrylic

Fire and Ice II–24″ x 24″–Acrylic

Additional work entered in the exhibit, AWOL 2015 included oil/cold wax paintings on panel. This exhibit will hang from January 10-30, 2015.

First Snow Triptych---24" x 32"---Oil/Cold Wax on Panel

First Snow Triptych—24″ x 32″

During the final week of studio time Martha worked in acrylic on gessoed wood panels. A selection of the paintings are posted below. These pieces are very close to being finished.

Costa del Sol White Village II--40" x 30"

Costa del Sol White Village II–40″ x 30″

Into the Woods Triptych---24" x 32"

Into the Woods Triptych—24″ x 32″

Ingram Untitled I----30" x 30"

Ingram Untitled I—-30″ x 30″


Filed under: From the Studio Tagged: Abstract, abstract acrylic, abstract art, acrylic on canvas, Hill Country Arts Foundation, Martha Rea Baker, oil/cold wax on panel, painting retreat, Texas Hill Country

Kerrville Acrylics Completed

$
0
0

Martha Rea Baker has completed three of the paintings started during the 2015 Hill Country Arts Foundation retreat. These have been delivered to Karan Ruhlen Gallery on Canyon Road in Santa Fe, NM.

The finished pieces, inspired by Martha’s October travels to Spain, are posted below. A charming white village along the Costa del Sol and the vibrant colors and sounds of Malaga are abstractly rendered.

Pequeno Pueble Blanco----40" x 30"----Acrylic on Panel

Pequeno Pueblo Blanco—-40″ x 30″—-Acrylic on Panel

Colores de Malaga V----30" x 30"----Acrylic on Panel

Colores de Malaga V—-30″ x 30″—-Acrylic on Panel

Colores de Malaga VI----30"x 30"----Acrylic on Panel

Colores de Malaga VI—-30″x 30″—-Acrylic on Panel


Filed under: From the Studio, Gallery News Tagged: Costa del Sol, Hill Country Arts Foundation, Karan Ruhlen Gallery, Malaga inspirations, Martha Rea Baker, memories of Costa del Sol, travel inspiration

Acrylic Abstracts shipped to Brown’s Fine Art

$
0
0

Two new acrylic abstract paintings were recently shipped to Martha’s longtime gallery, Brown’s Fine Art in Jackson, MS.

A Stitch in Time----48" x 48"----Acrylic

A Stitch in Time—-48″ x 48″—-Acrylic

The theme of Time has been an ongoing concept inviting exploration by Martha Rea Baker for over two decades.

Dordogne----60" x 48"----Acrylic

Dordogne—-60″ x 48″—-Acrylic

Dordogne was inspired by Martha’s travels in the southwestern section of France last year. A village at the base of white limestone cliffs, river reflections below and chateaux perched on top are abstractly rendered.


Filed under: From the Studio, Gallery News Tagged: abstract acrylic, Acrylic paintings, Brown's Fine Art, large scale paintings, neutral paintings, soft neutrals, soft palette, Time as a theme, travel as inspiration

THE BUTTERFLY EFFECT in ABSTRACT PAINTING

$
0
0

MARTHA REA BAKER has delivered two new canvases to  KARAN RUHLEN GALLERY on Canyon road in Santa Fe, NM.

In chaos theory, the butterfly effect is the sensitive dependence on initial conditions in which a small change in one state of a deterministic nonlinear system can result in large differences in a later state. The name of the effect, coined by Edward Lorenz, is derived from the metaphorical example of the details of a hurricane (exact time of formation, exact path taken) being influenced by minor perturbations such as the flapping of the wings of a distant butterfly several weeks earlier.

The phrase refers to the idea that a butterfly’s wings might create tiny changes in the atmosphere that may ultimately alter the path of a tornado or delay, accelerate or even prevent the occurrence of a tornado in another location. Note that the butterfly does not power or directly create the tornado. The butterfly effect does not convey the notion—as is often misconstrued—that the flap of the butterfly’s wings causes the tornado. The flap of the wings is a part of the initial conditions; one set of conditions leads to a tornado while the other set of conditions doesn’t. The flapping wing represents a small change in the initial condition of the system, which causes a chain of events leading to large-scale alterations of events (compare: domino effect). Had the butterfly not flapped its wings, the trajectory of the system might have been vastly different—it’s possible that the set of conditions without the butterfly flapping its wings is the set that leads to a tornado.  Wikipedia

In the same way, minor and almost sub-conscious actions in everyday life can be seen to have gross and widespread effects upon the future. As such, seemingly inconsequential actions can be seen to have drastic long-term results.

This is easily seen in creative endeavors of all kinds and especially in abstract painting. If the artist makes the slightest adjustment, alters one delicate line or shifts a color value it produces a chain reaction that transforms the entire work. Each shape, color, line, value and texture is related to the adjacent element, and more importantly, to the unified painting in a  nonlinear way.

The Butterfly Effect ---- 60" x 48" ---- Oil/Cold Wax on Canvas

The Butterfly Effect —- 60″ x 48″ —- Oil/Cold Wax on Canvas

Barranca IV ---- 48" x 48"---- Oil/ Cold wax on canvas

Barranca IV —- 48″ x 48″—- Oil/Cold wax on Canvas


Filed under: From the Studio, Gallery News Tagged: abstract painting, Barranca, butterfly effect in abstract art, Canyon Road gallery, Canyon Walls Series, Karan Ruhlen Gallery, Santa Fe art gallery, the butterfly effect

Rhythm and Hues

$
0
0

Rhythm and Hues
Group Exhibition

Who: Gallery Artists

What: Exhibition of painting and sculpture

When: May 22nd 2015—Opening Reception: Friday, 22 May, 5-7 pm.

Where: Karan Ruhlen Gallery, 225 Canyon Road, Santa Fe, NM 87501

SANTA FE, NM. Karan Ruhlen Gallery presents a group exhibition Rhythm and Hues in conjunction with Santa Fe 2015 “Summer of Color”.

Upon entering Karan Ruhlen Gallery visitors are instantly enveloped in color with a harmonic rhythm of hues and tones that visually guide you through the sunlit space.

The artists of Karan Ruhlen Gallery are known for their color sensibility and its relationship to nature. Each is diverse in their approach and interpretation of color. The artists have their own unique signature and surface quality.

RhythmandHuesExhibtionWeb

Martha Rea Baker—-upper left—-White Village, Costa del Sol (detail)

“The viewer’s imagination is consistently stimulated by the mixed-media abstracts of Martha Rea Baker created by the painting process of addition, subtraction and careful editing.”


Filed under: Gallery News, Upcoming Events Tagged: Canyon Road gallery, group exhibition, Karan Ruhlen Gallery, Santa Fe exhibitions 2015, Santa Fe Summer of Color

Conversations on Color and Abstraction at Karan Ruhlen Gallery

$
0
0

Conversations on Color and Abstraction —  September 25, 2015

Martha Rea Baker—–Mary Long—-Daniel Phill

SANTA FE, NM. Abstract art uses a visual language of form, color and line to create a composition which exists with a degree of independence. Abstraction indicates a departure from reality in depiction of imagery in art.
Who: Martha Rea Baker, Mary Long, Daniel Phill What: Exhibition of paintings When: Sept. 25 – Oct 9, 2015 Opening Reception: Friday, Sept 25th, 5-7 pm. Where: Karan Ruhlen Gallery, 225 Canyon Road, Santa Fe, NM 87501. Visuals & Curriculum Vitae online at www.karanruhlen.com
Karan Ruhlen Gallery is pleased to present an exhibition of recent work by three well-established abstract artists from across the country. The exhibition features New Mexico abstract painter Martha Rea Baker, Tennessee artist Mary Long and California painter Daniel Phill. The group of artists is diverse in their approach to abstraction.

ConversationsonAbstraction

Santa Fean, Martha Rea Baker’s underlying theme in her work is time. “Its passage and its effect on nature,” she says. “I seek a time-worn look—the results of erosion, weather, and the marks of previous civilizations.” Whether depicting chronological time, marking the sequential passage of hours, days, seasons or an ancient age glimpsed through excavation, the painting process of adding, subtracting and thoughtful editing is a metaphor for life’s timeline in creating these elegant abstractions. “I’m inspired by the strata of geology exposed in canyon walls and distant vistas of the Southwest.”
In her current series Baker uses cold-wax on gessoed board, mixing pliable Dorland’s wax medium with oil pigments to create a rich and lustrous surface.

Quiet Conversation Diptych    40

Quiet Conversation Diptych   40″ x 60″   Baker

Mary Long was born in Ohio and has lived in Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. “I grew up near Canton, where there is a crazy-quilt patchwork of rural farms and factories. It’s a juxtaposition of architectural grayness against expanses of happy saturated colors that inspires my work to this day,” she says. Long often begins her paintings with marks drawn in oil stick, over which she applies many layers of wax combined with oil paints. In the latest work I am decompressing, exploring more of the spaces in between. They don’t simply represent topographical maps but also time and space, the painting acts as a ‘slice’ or a ‘snapshot’ of something continuous,” says Long.

Daniel Phill attended Washington State University, Pullman, and received his BFA in 1978 from the San Francisco Art Institute. He received his MFA in 1983 from Stanford University and currently lives in San Francisco. He begins each painting jumping in “with a leap of faith,” he says, that something will develop from his spontaneous application of color and texture. Phill identifies with many of the principles and techniques of Abstract Expressionism, but also relishes the ambiguity between abstraction, figuration and the illusion of space in his paintings suggest light, atmosphere and depth—a combination that makes visible Hans Hofmann’s assertion that “shapes, colors, lines, calligraphic squiggles and use of space always echo the reality found in nature—its structure rather than appearance.” He eschews the neat and formal, preferring a responsive approach.

“The gallery will be truly transformed with the energy of these three dynamic artists,” says Ruhlen.


Filed under: Gallery News, Upcoming Events Tagged: 2015 Canyon Road art shows, Canyon Road gallery, diptych, Karan Ruhlen Gallery, Martha Rea Baker, oil/cold wax on panel, oil/cold wax paintings, Santa Fe Summer of Color

New Work for Karan Ruhlen Gallery’s Summer of Color

$
0
0

Martha Rea Baker has delivered new oil/cold wax paintings to Karan Ruhlen Gallery for the SUMMER OF COLOR being celebrated all around Santa Fe.

SANTA FE, NM. Karan Ruhlen Gallery presents a group exhibition The Nature of Color in conjunction with Santa Fe 2015 “Summer of Color”. Opening August 21 at Karan Ruhlen Gallery. The artists of Karan Ruhlen Gallery are known for their color sensibility and its relationship to nature. Each is diverse in their approach and interpretation of color. The artists have their own unique signature and surface quality.

Cliffhanger diptych

Cliffhanger Diptych   72″ x 60″

Dordogne III   48

Dordogne III   48″ x 36″

Red Mesa    40

Red Mesa   40″ x 30″


Filed under: Gallery News, Upcoming Events Tagged: diptych, Karan Ruhlen Gallery, large paintings, Martha Rea Baker, oil/cold wax on panel, Santa Fe gallery exhibitions, Santa Fe Summer of Color, tall vertical paintings

miniatures & MORE

$
0
0

Now in its 25th year, Miniatures & More is an exhibition fundraiser that provides valuable funding to The Albuquerque Museum in New Mexico while benefiting the artists whose work it features. The only “sell” exhibition at the Albuquerque Museum, Miniatures was created by – and is a program of – The Albuquerque Museum Foundation.  

A range of artists producing traditional and contemporary paintings, photographs and sculptures are selected each year through a juried process in order to provide an exceptional collection for consideration. The “& More” was added to the 2007 Miniatures exhibition. Miniatures & More 2015 features one painting each from twelve outstanding New Mexico artists.

Dusk 60

Dusk                                                    60″ x 36″                                            Oil/Cold Wax

We are pleased to announce that Martha Rea Baker has been selected to exhibit in the “& More” section of Miniatures & More 2015 25 Year Anniversary. A committee from The Museum traveled to Santa Fe, NM to visit Martha’s studio and Karan Ruhlen Gallery to make the selection shown above. This painting will be auctioned at the gala reception on Saturday, October 24, 2015 at The Albuquerque Museum.


Filed under: Artist News, From the Studio, Upcoming Events Tagged: abstract art, abstraction, concept of time, Dusk, Miniatures & More 2015, museum donation, oil cold wax, tall vertical paintings, The Albuquerque Museum
Viewing all 85 articles
Browse latest View live